Long ago in a City of Salt, there lived 4 or 5 musicians, I mean magicians, who conjured songs up from the depths of Psyche and spun them off into the pre-E Void.
Like asteroids and comets, some of these swung around to our side of the Sun again, and fell into the antenna array here at Axel Mundi Music.
We made contact with the Muses, and through digital culture they released these songs to new incarnation.
With notable guest vocalists who you can almost remember, if only you hadn't left so soon, these songs will take you to a time that many say never happened, although some may never have been there.
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Long ago in a City of Salt, there lived 4 or 5 musicians, I mean magicians, who conjured songs up from the depths of Psyche and spun them off into the pre-E Void.
Like asteroids and comets, some of these swung around to our side of the Sun again, and fell into the antenna array here at Axel Mundi Music.
We made contact with the Muses, and through digital culture they released these songs to new incarnation.
With notable guest vocalists who you can almost remember, if only you hadn't left so soon, these songs will take you to a time that many say never happened, although some may never have been there.
Axel Mundi, a veteran of the Seventies literary counterculture and survivor of the Nineties Seattle Music Scene, is a genre-free sound artist working from his home studio on the Kitsap Peninsula in Washington State.
In the early 1970s, in Salt Lake City, he co-founded Babylon Theatre, an audio dramatic collective that performed at literary events in the underground poetry scene, and recorded unique improvised word-plays. In the 1980s, in Seattle, he took his bass clarinet and developed a style of drone trance music influenced by his study of meditation and of ancient music traditions. This led directly, in the 1990s, to his helping found the trance-rock trio,
Diamond Fist Werny.
In the new century, Axel Mundi is back to his original instrument, the sound recorder. Starting in the 1960s with reel-to-reel tape, now in the 2000s with digital hard-disks, the microphone is still his basic interface between vocal/instrumental sounds and the recorded medium.